BDSM

Movie Review: What I Can’t See 3

October 11, 2011

Treasure Island Media is back with What I Can’t See 3 and director Paul Morris is at the helm once more. The incredibly popular What I Can’t See series is so called because of the blindfolding of each scene’s bottom to the activities of the ruthless top, and it adds that extra bit of kink to the already very dirty bareback studio.

Daddy/Son pairing fans are in for a real treat being with the opening one-on-one featuring a blindfolded young Alex put at the mercy of big-dicked super daddy B.J. Slater. Slater gets that talented tongue going on the horny young thing’s ass early and his vocals in response are just fantastic.

But you haven’t heard anything yet — just wait until that daddy top slides his massive tool into that unsuspecting ass and pounds into it without mercy. What a steamy intergenerational couple this is.

Older/younger fans should also make sure they check out scene five with TIM veteran Keer topping the very cute bottom Michael.

Undoubtedly one of my favorite scenes is the gangbang shot by Liam Cole that comes after this one-on-one. Scene two has a whole swag of Euro hotties that many will remember from a not dissimilar orgy scene in Full Tilt, though there were no blindfolds in that one. Whereas hot young thing Ed Gunn was the cum slut in that film, this time it’s Jack Lewis set upon by a whole lot of raw manly cock (including Gunn, who’s back to play top). After Lewis is laid out for a room full of strangers he can’t see, they enter and roughfuck the skinny lad and drain themselves deep inside his guts, one after another. There’s so much cum it’s literally leaking out of him.

John Sullivan’s tag-teaming by well-hung hotties Jerry Stearns and Lito Cruz in scene seven is another ensemble effort I wouldn’t go past. The interracial tag team take turns on the blindfolded piggy and really wreck his ass.

Featured Star: Race Cooper

September 28, 2011

Versatile top Race Cooper describes himself as “pumped full of adrenaline, with an edge.” The Toronto, Ontario, Canada native has made his home in San Francisco since getting into gay porn in 2009. Almost immediately, he made a big first impression with performances in Skuff 4: Downright Fierce for Hot House Entertainment and Black Balled 7 for All Worlds Video. Top company Raging Stallion Studios signed Race as an exclusive in 2010 and he’s appeared in more than a dozen blazing hot fuck flicks for them, including Brutal, Steamworks, and Dominus. With a scorching scene as a take-no-bullshit prison warden in his newest movie, Institutional Encounters, Race is sure to win over legions of new fans. If you want to see his versatility in action, the new Edger 9 series will have you on the edge of your seat with cock firmly in hand!

It takes both stunning performances and exceptional physical beauty to be a Raging Stallion Exclusive. Take a look at Race, whether cinched up in black leather or gloriously naked. As great as he looks, it should be no surprise that he’s also building a successful career as an adult model. Race recently graced the cover of the Gloss Magazine Folsom Fair program guide, which was his second magazine cover. He’s earned an especially strong fan base in the leather/fetish community and has become a huge attraction at Folsom and similar scene events.

As rare and coveted as contracts are, they’re even more scarce for men of color, and Race doesn’t take his status lightly. He views this as both an honor and a responsibility. “I’m a part of the image industry, and whatever I do on or off camera will speak volumes for those who can’t,” he said in an interview on Raging Stallion’s company blog. In that same interview, he revealed that he calls himself Race because he’s biracial and because, no matter how much progress has been made, race is always what people see first. He wanted a name with an edge and a play on words, a reflection of his passion for writing.

Admitting to a twisted sense of humor, Race lives by the motto “If I can’t get you hard, I should at least be able to make you laugh.” His nine-inch cut cock and hardcore fucking and fisting skills are enough that he won’t need to fall back on his comic timing, but we do love a man who can split open a tight hole and split our sides with laughter! Aside from his passionate performances and his love of writing, Race is also a production coordinator for Raging Stallion and is interested in photography, music, snowboarding, and history. Knowing that he’s as smart as he is sexy only makes us love him more!

Movie Review: Institutional Encounters

September 27, 2011

Institutional Encounters makes being institutionalized look hotter than it ever has before, as incarcerated piggy bottoms are subjected to hardcore fetish and BDSM at the hands of vicious guards. The action includes enemas, fisting, watersports, and brutal hardcore sex. The steel and concrete setting adds to the roughness, transporting you to a world we daresay few if any have seen firsthand.

Preston Steel is a new inmate at intake. In the wet room, guards Tony Buff and Chris Yosef have a lesson in enema play in store for their brand new piggy bottom. They hose him down on the outside and then on the inside. Steel is in handcuffs and something about being bound and worked over this way gets him as hard as his name suggests. While he sucks Buff’s monster cock, Yosef pisses all over him. This, in turn, gets Yosef hard and he decides it’s his turn to fuck Steel’s eager mouth. The two tops pass Steel between them and he’s hungry for both their poles. Lesson time is over and now Yosef and Buff cum on Steel’s face; Buff is so excited he pops twice. Steel, still handcuffed, jerks out his own hot load, which lands on himself and on the wet room floor. Buff and Yosef “wash” Steel’s cum off with their piss.

Tony Buff tests Leo Forte’s “fighting skills” by sending him into the dungeon to mix it up with Chris Yosef, now in a sling. In spite of his location, Yosef is anything but the passive bottom being fisted. From the beginning, he is clearly the one in charge and definitely topping from the bottom. He tells Forte everything to do, while Forte is keen to please him, making for a scorching scene. Forte is known for being good at spit-lubing a hole and he does it again here, making Yosef’s asshole nice and slippery. He tries to fist glove-free at first but Yosef is having none of it. Hand in glove, Forte fists Yosef exactly as he’s told and even complies when Yosef wants to piss in his mouth. Finally, Forte gets to fuck that hole as a reward for demonstrating excellent skills. Yosef cums first and Forte unloads immediately afterward, all over Yosef’s cock and balls.

The warden, Race Cooper, has one nasty temper when he finds out an inmate has stepped out of line. Tommy Rawlins was running his mouth, so Cooper dunks his head in the toilet several times before throat-fucking him. Cooper makes Rawlins gasp for air at first, but eventually his throat relaxes and soon he’s swallowing that big black cock with relative ease. Rawlins can only comply as Cooper puts him through his paces. He gets fucked with Cooper’s nightstick, pounded with his black dick in doggie, and then fucked missionary style. Cooper practically hoses Rawlins down with his cream and leaves him there to fend for himself.

Muscular, swarthy Alessio Romero evaluates ginger-haired inmate Kyle “the Pig” Wood. Seeing that Wood has “PIG” tattooed on his neck and “faggot” inked on his stomach, Romero doesn’t go easy on the inmate – Woods gets the rough treatment and loves it. There’s plenty of slapping and spitting. Wood pisses on himself and in Romero’s mouth. Romero teasingly sucks Wood just a little bit. All this working out has gotten Romero sweaty enough that he’s able to use his own perspiration to lube up Wood’s asshole! It’s certainly not something you see in just any porno. Romero fists the piggy bottom until his hole gapes, which gets him so excited that he yanks Wood out of the sling and fucks the cum right out of him. Seeing the load produced, Romero grabs Wood by the mohawk and unloads on his face.

It’s a filthy world where fetish is the reality and training sessions are designed to turn the newly incarcerated into world class bottoms. Who better than Raging Stallion Studios and Fetish Force to open the door and director Tony Buff to show you the way?

Featured Category: Leather

September 21, 2011

The famous Folsom Street Fair will be held this coming Sunday on San Francisco’s Folsom Street and some lucky souls from AEBN will be there! This fair happens every year on the last Sunday in September and celebrates the leather scene. It’s the last hurrah for Leather Pride Week and although it’s not a gay men-only event, it’s been a proud tradition in the gay leather culture as well as the BDSM scene since 1984.

Leathermen trace their community to post-World War II gay motorcycle clubs. Butch gay guys emulated Marlon Brando’s sexy biker look in The Wild One, and gay biker clubs such as L.A.’s Satyrs and San Francisco’s Warlocks were an important part of the scene. An emphasis on masculinity resonated with gay men who were tired of being stereotyped as effeminate. Some of these men were indeed far more masculine than any straight, suburban husband. The leather scene didn’t emerge from BDSM, but as it evolved, the community was a natural place to explore curiosities about kinky sex and BDSM. For others, wearing black leather is a sensual pleasure, a thing of beauty as seen on Tom of Finland models including Peter Berlin.

Like many subcultures, leather culture has traditions and a history far deeper than we can cover in one blog entry. Folsom alone could fill a book, and probably has, as it’s reportedly the world’s largest leather event and BDSM showcase. If you’re going to miss Folsom, there’s lots of porn for celebrating your love of leather at home.

For classics, you can’t beat Bijou Pictures. We recently reviewed Born To Raise Hell, a treasure of the genre, but don’t forget the other two parts of the Dungeons of Europe Trilogy, namely Pictures From The Black Dance (part one) and Like Moths To A Flame. Another must-see is 1978’s 10:30 P.M. Monday, because the weekend is not the only reason for a good time.

One company known for leather flicks is Raging Stallion Studios, whose June release Dominus is among the most popular leather movies. Its menacing, provocative tone adds to its appeal, and there’s no plot to bog down the thrilling action between some of the industry’s best studs — anyone for an interracial pairing with beauty Jason Adonis fucking black stud Race Cooper? But if it’s an epic scene you want, Big Bigger Biggest features the instant-classic moment when super-top Ricky Sinz took a cock up his ass for the first time on film!

You’ve no doubt noticed by now that the ever-evolving leather scene doesn’t look the way it did 60-70 years ago, and a brand-new release called Ipanema Heat from Dark Alley Media and Halcyon Studios might be one of our favorite examples of the new breed of leatherman. It’s an updated look (maybe influenced by the changes in biker culture?) and of course one thing hasn’t changed: the men are still absolutely volcanic. One summer holiday in Rio De Janeiro, Matthias Von Fistenberg and Tommy Hawk take over a penthouse in the famous Ipanema neighborhood for some hot bareback shenanigans you’ll never forget. We know Matthias nearly always means plenty of fisting, but not this time. However, leather and fisting frequently go hand-in-hand (sorry, couldn’t resist the pun), and you’ll see a lot of it in Berlin Underground and many other Dark Alley Media releases.

We at AEBN love leather as much as you do, and we offer more than 550 titles as of this writing. Some of our other favorites include Muscles In Leather (COLT Studio Group), the 2010 GayVN-winning Skuff 4: Downright Fierce (a relatively rare safe-sex leather title from Hot House Entertainment), and the 1996 military leather classic Code Of Conduct 2: Deliverance Director’s Cut (Falcon Studios).

Gay Porn Classics: Born to Raise Hell

September 19, 2011

On the week of the Folsom Street Fair, we’re taking a look at one of the all-time legends of gay leather cinema.

There are plenty of porn films that like to set the bar high, but plastering the cover of your adult video with the line “Acclaimed as the best gay S&M film ever made” is quite a claim to have to live up to.

Born To Raise Hell from Bijou Pictures is an interesting one to review both for this reason and for the fact that it is, by gay porn standards, reasonably vintage — made in 1974. Seeing whether it stood the test of time as well as living up to its classic status was a big task right off the bat. But it’s probably no more audacious a question than the film’s tagline was in asserting the league in which it considered itself to rank.

Shot on film and directed by the iconic Roger Earl, its release marked the beginning of the “Marathon legacy,” featuring the best in all-male S&M classics. It was also responsible for bringing us the considerable talents of the now-famous leather daddy Val Martin. For both, it deserves a fair amount of credit, but is it any good?

Even by today’s envelope-pushing standards, Born To Raise Hell is fairly brutal. It’s genuine S&M and from its long opening scene it’s fairly obvious that there are no tricks in trying to portray the action as rougher that it is. These performers were fully committed to being smacked around and subjected to everything from nipple torture to pissing, fisting, some very aggressive spanking and bondage, naturally. Their responses to these different stimuli are, at times, even disturbing in their authenticity, with cries of anguish you very rarely see in porn today, unless they’re put on. The third scene in particular is hard to watch at times, as the unsuspecting “victim” is put through a range of sexual torments, including what can only be described as a crucifixion halfway through.

Aesthetically, the film quality is pretty much what you’d expect from a piece of pornography of its age. It’s always clear enough to see the action taking place, but certainly not the hi-def visuals we’re used to today. Audio is mixed with some moments clearly dubbed, but others authentic enough to pass as live. The outdoor scene that finishes the video doesn’t bother with vocals, however. The music is classic 70s porn camp, which is fine for those used to the genre during that era.

The best part of its age is the men. Even today, the quality of men in vintage porn from that decade seems to get a rise out of a lot of people. There’s just something about that rough around the edges, non-groomed and muscled archetype that seemed to epitomize performers in the medium during that time. Star Val Martin certainly doesn’t disappoint in his skills or on-screen presence either.

How does it stand-up against modern-day fetish pornography? Hard as it is to believe, you almost feel like we’ve regressed since this age of brutal, hardcore sex (some might say this is arguably for the better). You’ll rarely see scenes as intense, even from studios such as Dark Alley Media. It’s hard to know whether this is because these men were more open to pushing their limits than the adult film actors of today, because our porn watching habits have changed, or whether the lack of regulation for porn performers has improved since this time. Regardless, you will undoubtedly be shocked by the extent these scenes go to.

Bound Gods Part 2

July 19, 2011

As far as fetish films go, you’d be hard pressed to find any lack of kink in a title such as “Bound Gods Pt 2.” Filmed by the fetish experts at Kink.com, this title really has a bit of everything for the fan of that little bit extra when it comes to hardcore.

We’re talking BDSM, spanking, and extreme penetration. Lovers of public sex won’t be disappointed with the public urinal setting either. This is all in a 36-minute time frame, so not a bad achievement.

Our submissive bottom boy here is absolutely stunning, which makes it all the better when he’s force-fed a cock down his throat, smacked around and pounded in the ass while suspended above one of the urinals.

But a cock isn’t the only thing this kid is getting up his ass – that’d be way too easy. No, there’s many an implement inserted into that hole – everything from conventional toys to a mop.

The setting is dirty, which adds to the authenticity and the Dom in this video seems to know his way round the fetish arena. All up, a great introduction into some of the kinky delights of Kink.com.

Classic Porn: Like Moths To a Flame

April 4, 2011

Director Roger Earl was behind the lens for some of the greatest gay BDSM classics of the ’70s and ’80s, most notably the 1975 classic “Born to Raise Hell,” the 1988 gem “Pictures from the Black Dance,” and the subject of this week’s gay porn classic movie review, “Like Moths to a Flame.” Also made in 1988, it features some of the best Doms in Frankfurt, London, and Amsterdam as well as two of the most awe-inspiring bottoms you’ll ever see in a porno. This is a worthy entry (part two) in Earl’s famous Dungeons of Europe Trilogy. With such incredible Masters and pig bottoms, it’s no wonder “Like Moths to a Flame” is one of the most intense BDSM films ever made. Setting the mood, a booming, echoing voiceover recites a poem as the movie begins: “Naked they walk/ Without any shame/ Drawn towards their masters/ Like moths to a flame.”

The first scene takes place in a Frankfurt, Germany dungeon outfitted with mirrors on opposing walls, so we see multiple images of Christian Dreesen getting the stuffing slapped out of his firm but yielding flesh. There is a soundtrack, but it never drowns out the heart-pounding sounds of leather cracking against skin and the cries of joy and pain. David Schultz is a Master to be reckoned with, laughing and taunting his slave as he spanks and whips Christian towards ecstasy. The only flaw in this scene is that it’s too short, but we’ll see more of this tasty submissive later.

Scene two takes us to London, where David Gregory picks up Ken Dearn on his motorcycle. They leave the crowded street for the inner sanctum of the dungeon and get right to the good stuff with some hard and seriously hot nipple tugging and sucking – chewing might be a better description. In this intense pairing that spans two scenes, there is a lot of passion and creativity. The first amazing image is of David hauling Ken upside down against his body, facing outward, so he can suck Ken’s balls. We wouldn’t want all the blood rushing to the other head, so it’s a short-lived but no less incredible position. Next Ken is hog-tied and gets his body hair clippered. David decides he wants to get Ken pierced and tattooed, so they take the train to see a friend of David’s who does just that. This sequence, both emotionally and visually intense, includes some heavy CBT. Ken is clearly a dedicated slave who relishes the pain and the marks of ownership.

In Amsterdam, Ben Kent and Ted DeBurin have fun with bondage, nipple clamps, and clothespins. You can see the pre-cum dripping from the slave’s cock as it rocks up and down from the motion of the weight swinging back and forth underneath it. Later, after sucking his Master’s cock and jerking his own, that drip becomes a gusher of the sticky white stuff all over his stomach.

Back in London, the movie ends with another scene starring super bottom Christian Dreesen. He licks his Master Dick Johnson’s boots to begin the scene. Dick suspends him upside down and playfully swings him around while slapping his codpiece-covered crotch. Next, Dick slaps Christian into stocks, mounts him like a horse, and rides his back while slapping all over his ass and back. Dick jacks up the tension when he straps Christian to a platform mounted on an axle with bondage tape, wrapping it so thoroughly around the sub’s body that he leaves only a little skin showing – importantly, his cock and balls, his nipples, and his nose. Then Dick spins the platform end over end on its axle and, for a grand finale, Christian pees on himself.

You don’t see many slaves like Ken or Christian anymore, nor are there that many bondage movies quite like this one. In today’s BDSM scene you will see plenty of hardcore torments being dished out to submissives, but there’s something much more intimate and immediate about what you’ll see here. “Like Moths to a Flame” gives you a closer look at the mindset of Masters and slaves.

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